The next chapter, which is the largest part of Dreams, is a room-by-room description of the flying circus. There are three large decks to begin with. These were originally designed to fit as two-page spreads: nice, but they do leave me wanting for larger printouts. So here's an idea: I could make them available as a PDF file free to anyone purchasing the book in its printed format, or available at a low cost to anyone acquiring just the book in its digital format. At least, this will provide the option of printing them for personal use on larger sheets. It's a tentative plan. Suggestions are welcome if you have experience with this.
Overall, the three decks feature well over 200 rooms. There are more than 60 for the circus tent and the surrounding carnival (sideshows, booths, rides, etc.) Around the carnie stand blocks of houses perched at the edge of the main deck: they are the so-called "aeries." These buildings house many of the circus workers as well as street-level businesses (inns, shops, various services, etc.) Many of the residences extend a few floors up and include basements connecting with the circus's lower deck. Those alone account for another 100 individual chambers (approximately.) The lower deck accounts for 51 areas more, which are essentially utility spaces to run the circus (ship holds, a menagerie, artists prep rooms, a temple, a steam bath, kitchens, workshops, healers hall, brig, public garderobes, water tanks, a freight train, etc.) There is one more deck below this, called the orlop deck. That's where crew dormitories are located for workers who do not reside in the aeries. It is also where the outrigger masts are anchored to the flying circus's internal structure. Siege weapons, levitating shuttle crafts and their davits, as well as massive winches controlling the circus's huge sails fit in an open gallery surrounding the dormitories and... something else whose existence I won't spoil here. In total, there are 238 numbered "areas" altogether on the three decks and the aeries.
The challenge remains in describing all of these places, one by one, with a floor plan inserted next to each numbered entry or positioned nearby. This makes for a very busy page layout, leaving little or no space for art. So, here's a choice:
- 1. More art but fewer individual deck plans embedded in the text or,
- 2. Less art but most room descriptions feature their own maps individually (in addition to two-page spreads for the three decks.)
In retrospect, this flying circus very much is a flying city. The adventures therein are city-style in nature. Though combat is to be expected (can you say dragons, a demon and his fiends, and some seriously warped beasties?), role-playing will be central here. At some point, whether they are connected to what PCs do or not, events will reach a climax when secret societies decide it's clobbering time. Fortunately, the entire flying circus is mapped out. All NPCs and all monsters are accounted for, going as far as providing actual street addresses for many of the circus folk. Dreams of Aerie is designed in part to provide game masters with a sand-box setting: the flying circus can become a long-term residence for player characters, a place from which to adventure while the circus travels the Great Caldera. It is a bit of a crazy project, and it makes no doubt in my mind it will be unique.
What else? A big appendix with monster and NPC stats will be included, plus instructions for a long adventure in addition to a series of short ones aimed at wherever the circus stops. Fortunately, art will be much more easily incorporated to these sections. At this point, all the floor plans are done. The intro, the main adventure plot, the guilds, secret societies, and all the NPCs are written up. Text for the circus and the sideshows is all complete as well. Writing is proceeding apace on the aeries and the lower decks, with individual maps already in place. The short adventures will come last, after everything is fully written and laid out. This last part will take place while the Kickstarter is running, this coming spring (April-May 2017.)
I'm always open for suggestions. Let me know what you think!