Dear Readers,
Now that the project is well under way, I believe time has come to say more about the World of Calidar and who is part of the creative team.
As I'd pointed out earlier, this fantasy setting is entirely new and does not rely on any specific game system. Calidar emphasizes skyship adventures. The final product is intended to include a gazetteer and a poster map. Written materials should amount to at least 80,000 words, of which 60% will be a story unveiling the adventures of the Star Phoenix and her crew under Captain Isledemer d'Alberran's command. The latter are inspired from the Princess Ark episodes published in Dragon Magazine twenty years ago. Though the ship, her crew, and their strange new world are different from those of the original series, the analogy remains intact in style and spirit. The campaign set (color) will be available both as an e-product and in print. Because of print-on-demand limitations, the poster map will be offered separately and in print only.
A Few Words About Calidar
The vast majority of its population came from three lunar empires—the humans from Manaan, the elves from Alorea, and the dwarves as well as their gnomish cousins from Kragdûr. The fellfolk, a race of small but fierce people, are the planet's original inhabitants. Calidar is imbued with a feral magic hostile to the expansion of civilization, a dangerous world only partially settled by the three outer world empires. A central region called the Great Caldera, a three-thousand-mile-large crater partially filled with an inner sea and ringed with towering mountains, serves as the cradle of civilization. There, the empires overcame nature’s ferocity and established sprawling colonies. But over time, they rebelled and, after a long period of conflict known as the Sky Wars, the new realms earned their independence from the overlords. A fragile truce now remains between the three empires and their former colonies. Beyond the Great Caldera lies what is known as the Dread Lands.
The truth is that two lunar empires are overpopulated and exceeding their natural resources. The other, more attuned to nature, now stagnates, unwilling to further harm its own world. It was the reason for the rush to establish colonies on Calidar. There was, and still is, another reason. Traveling the immense distances between Calidar and its moons, and reaching other worlds gravitating around the Great Soltan is only possible with a certain type of magic. At the heart of imperial rivalries lies a strange substance called Seitha, which enables skyships to become incorporeal and travel at fantastic speeds. Though it can be found on the moons, the existence of the precious Seitha has been declining there since its discovery. The Dread Lands now remain its principal source and the origin of many conflicts to obtain it.
The appearance of the substance in Calidar’s soil is predicated upon the health of that world and its moons. It is believed that all magic comes from the beating heart of Calidar, tying together not only Seitha but the souls of the dead and the very lifeforce of all that dwells on its surface, in the skies, and beyond—be it flora, fauna, or sentient kind. It is strong enough to enable gods to spring from the inhabitants’ spiritual beliefs. Indeed, Calidar is unique in that the divine did not create this universe and its people. It is quite the opposite. To each world its own gods, demi-gods, epic heroes, and demons competing to retain the favors of mortals who created them, and to sway the minds of others for the sake of eternal hegemony. . . or oblivion.
A Glimpse at the Skyships
Airships of Calidar are as varied as its people, whether spacefaring or not. Let’s start from the ground up: with the dwarves of Kragdûr. These fellows aren’t wizards, yet they build flying ships. Theirs are brutes of steel, fire, and brimstone. In keeping with their own love of things from the ground, dwarves fly powerful dreadnoughts whose hulls and superstructures are made of forged iron, steel, brass, and copper held together with rivets. Cannons are their weapons of choice. They use coal and special minerals found on their moon, providing lift and thrust enough to propel their massive beasts. Kragdûr dwarves favor a harsh warrior-like culture.
Elven designs depart radically from the dwarven paradigm. Alorean vessels look more like sail ships from the Golden Age of Clippers. These are wind-powered, quad-masted, wooden vessels built for speed. Their style and workmanship remain unmistakably elven, with a heavy emphasis on organic rather than functional. Up close, their artful designs are reminiscent of twisting roots and leaf patterns. Unlike vessels of other races, Alorean liners house extensive hydroponic facilities within their hulls. Alive, self-healing, and able to grow parts like davits, boarding planks, hammocks, and tether-roots, they also feature deck weaponry in the form of native Alorean plants living in symbiosis with the ships. These elves behave more like artful intellectuals.
Human-built skyships of Manaan are far more varied than elven or dwarven designs. They stand anywhere between the two extremes of demi-human ships, blending metal and wood in various proportions. Manaani commanders generally favor maneuverability over speed or strength, which implies a preference for galley designs. Style-wise, they depend on the region of origin, somewhat like real-world 16th Century galleasses and 17th Century galleons that can be fitted with auxiliary oars. This implies an inverted tri-mast design (two sets of upper masts angled in a V-shape and one set of vertical masts underneath the hull) to allow clearance for the banks of oars. They usually rely on combinations of magic and mechanical devices as main deck weapons. The Manaani are highly religious people, for better or for worse.
And what of native Calidar vessels, you might wonder? These ships are even more unpredictable as they mix and match designs from either of the three moons, making foreign observers cringe at certain very, very odd concepts. This habit goes back to the time when colonies broke away from their outer world overseers, and had to use whatever they could seize in combat or recover from wrecks. Anything goes, merrily blending dirigibles, wind sails, steam-powered paddle-wheels, mixed-dwarven and -elven medieval wood-and-steel bio-mechanics, ethereal ley line nets, four-winged flying beasts, and so on.
There’s more. . . how about the scaly, acid-spewing, glistening vessels of the evil Draconnic Knights? Giant flying junks and armored turtle-ships claim the skies in faraway Lao-Kwei. At last, let’s not forget the space Vikings with double- or triple-deck longships feared by all, including the mysterious starfolk.
The Master Puppeteers
Before proceeding further, I would be remiss not to introduce the talent behind this project. I’ll skip the writing part since you all know where it comes from. Instrumental in capturing the physical appearance of Calidar, Thorfinn Tait, from Akita, Japan, stepped forward months ago to handle the world's cartography. Thorfinn is best known for his work on Mystara maps during the past twenty years. From the onset, he and I worked to fit Calidar’s continents around a globe, ensuring an accurate and very recognizable depiction. Ben Wootten, a concept artist and illustrator from Wellington, New Zealand, will paint the cover art. His portfolio includes design work for the Lord of Rings movies as well as art for Wizards of the Coast and Pathfinder among many others. His incredible appreciation for nature is evident in the creatures he draws, both real and imagined. [EDIT -- 12/03/2013] John Dollar will be producing pencil and ink illustrations. His extensive artistic background includes TSR's Ravenloft, Birthright, and Dark Sun, as well as FASA, White Wolf, and West End. He also worked on Shadowhunters Codex by Simon & Schuster, Earthdawn, Star Wars, Tales of the Emerald Serpent, and Larry Elmore's Sovereign Stone. Last but not least, my good friend from Toronto, Canada, Ed Greenwood, creator of the Forgotten Realms and author of many related novels as well as a Mystara Gazetteer, has also kindly offered his time and talent to write additional material.
What Next?
With great talent comes great. . . never mind. Putting a product out on the market demands proper funding. As a result, a Kickstarter campaign is necessary to cover production costs. I am therefore asking all of you how excited you are about the World of Calidar. I posted a tentative outline for the campaign’s pledge levels below. From the surveys listed near the top of this page, select the pledge level and add-ons you feel comfortable backing. This is for information only. The first survey concerns pledge levels. The next one deals specifically with multiple-choice add-ons.
Edit Dec 06 2013: the survey is now closed. Thank you all for your participation. Results indicate enough backers for at least basic funding, provided everyone shows up. Onward!
Now that the project is well under way, I believe time has come to say more about the World of Calidar and who is part of the creative team.
As I'd pointed out earlier, this fantasy setting is entirely new and does not rely on any specific game system. Calidar emphasizes skyship adventures. The final product is intended to include a gazetteer and a poster map. Written materials should amount to at least 80,000 words, of which 60% will be a story unveiling the adventures of the Star Phoenix and her crew under Captain Isledemer d'Alberran's command. The latter are inspired from the Princess Ark episodes published in Dragon Magazine twenty years ago. Though the ship, her crew, and their strange new world are different from those of the original series, the analogy remains intact in style and spirit. The campaign set (color) will be available both as an e-product and in print. Because of print-on-demand limitations, the poster map will be offered separately and in print only.
A Few Words About Calidar
The vast majority of its population came from three lunar empires—the humans from Manaan, the elves from Alorea, and the dwarves as well as their gnomish cousins from Kragdûr. The fellfolk, a race of small but fierce people, are the planet's original inhabitants. Calidar is imbued with a feral magic hostile to the expansion of civilization, a dangerous world only partially settled by the three outer world empires. A central region called the Great Caldera, a three-thousand-mile-large crater partially filled with an inner sea and ringed with towering mountains, serves as the cradle of civilization. There, the empires overcame nature’s ferocity and established sprawling colonies. But over time, they rebelled and, after a long period of conflict known as the Sky Wars, the new realms earned their independence from the overlords. A fragile truce now remains between the three empires and their former colonies. Beyond the Great Caldera lies what is known as the Dread Lands.
The truth is that two lunar empires are overpopulated and exceeding their natural resources. The other, more attuned to nature, now stagnates, unwilling to further harm its own world. It was the reason for the rush to establish colonies on Calidar. There was, and still is, another reason. Traveling the immense distances between Calidar and its moons, and reaching other worlds gravitating around the Great Soltan is only possible with a certain type of magic. At the heart of imperial rivalries lies a strange substance called Seitha, which enables skyships to become incorporeal and travel at fantastic speeds. Though it can be found on the moons, the existence of the precious Seitha has been declining there since its discovery. The Dread Lands now remain its principal source and the origin of many conflicts to obtain it.
The appearance of the substance in Calidar’s soil is predicated upon the health of that world and its moons. It is believed that all magic comes from the beating heart of Calidar, tying together not only Seitha but the souls of the dead and the very lifeforce of all that dwells on its surface, in the skies, and beyond—be it flora, fauna, or sentient kind. It is strong enough to enable gods to spring from the inhabitants’ spiritual beliefs. Indeed, Calidar is unique in that the divine did not create this universe and its people. It is quite the opposite. To each world its own gods, demi-gods, epic heroes, and demons competing to retain the favors of mortals who created them, and to sway the minds of others for the sake of eternal hegemony. . . or oblivion.
A Glimpse at the Skyships
Airships of Calidar are as varied as its people, whether spacefaring or not. Let’s start from the ground up: with the dwarves of Kragdûr. These fellows aren’t wizards, yet they build flying ships. Theirs are brutes of steel, fire, and brimstone. In keeping with their own love of things from the ground, dwarves fly powerful dreadnoughts whose hulls and superstructures are made of forged iron, steel, brass, and copper held together with rivets. Cannons are their weapons of choice. They use coal and special minerals found on their moon, providing lift and thrust enough to propel their massive beasts. Kragdûr dwarves favor a harsh warrior-like culture.
Elven designs depart radically from the dwarven paradigm. Alorean vessels look more like sail ships from the Golden Age of Clippers. These are wind-powered, quad-masted, wooden vessels built for speed. Their style and workmanship remain unmistakably elven, with a heavy emphasis on organic rather than functional. Up close, their artful designs are reminiscent of twisting roots and leaf patterns. Unlike vessels of other races, Alorean liners house extensive hydroponic facilities within their hulls. Alive, self-healing, and able to grow parts like davits, boarding planks, hammocks, and tether-roots, they also feature deck weaponry in the form of native Alorean plants living in symbiosis with the ships. These elves behave more like artful intellectuals.
Human-built skyships of Manaan are far more varied than elven or dwarven designs. They stand anywhere between the two extremes of demi-human ships, blending metal and wood in various proportions. Manaani commanders generally favor maneuverability over speed or strength, which implies a preference for galley designs. Style-wise, they depend on the region of origin, somewhat like real-world 16th Century galleasses and 17th Century galleons that can be fitted with auxiliary oars. This implies an inverted tri-mast design (two sets of upper masts angled in a V-shape and one set of vertical masts underneath the hull) to allow clearance for the banks of oars. They usually rely on combinations of magic and mechanical devices as main deck weapons. The Manaani are highly religious people, for better or for worse.
And what of native Calidar vessels, you might wonder? These ships are even more unpredictable as they mix and match designs from either of the three moons, making foreign observers cringe at certain very, very odd concepts. This habit goes back to the time when colonies broke away from their outer world overseers, and had to use whatever they could seize in combat or recover from wrecks. Anything goes, merrily blending dirigibles, wind sails, steam-powered paddle-wheels, mixed-dwarven and -elven medieval wood-and-steel bio-mechanics, ethereal ley line nets, four-winged flying beasts, and so on.
There’s more. . . how about the scaly, acid-spewing, glistening vessels of the evil Draconnic Knights? Giant flying junks and armored turtle-ships claim the skies in faraway Lao-Kwei. At last, let’s not forget the space Vikings with double- or triple-deck longships feared by all, including the mysterious starfolk.
The Master Puppeteers
Before proceeding further, I would be remiss not to introduce the talent behind this project. I’ll skip the writing part since you all know where it comes from. Instrumental in capturing the physical appearance of Calidar, Thorfinn Tait, from Akita, Japan, stepped forward months ago to handle the world's cartography. Thorfinn is best known for his work on Mystara maps during the past twenty years. From the onset, he and I worked to fit Calidar’s continents around a globe, ensuring an accurate and very recognizable depiction. Ben Wootten, a concept artist and illustrator from Wellington, New Zealand, will paint the cover art. His portfolio includes design work for the Lord of Rings movies as well as art for Wizards of the Coast and Pathfinder among many others. His incredible appreciation for nature is evident in the creatures he draws, both real and imagined. [EDIT -- 12/03/2013] John Dollar will be producing pencil and ink illustrations. His extensive artistic background includes TSR's Ravenloft, Birthright, and Dark Sun, as well as FASA, White Wolf, and West End. He also worked on Shadowhunters Codex by Simon & Schuster, Earthdawn, Star Wars, Tales of the Emerald Serpent, and Larry Elmore's Sovereign Stone. Last but not least, my good friend from Toronto, Canada, Ed Greenwood, creator of the Forgotten Realms and author of many related novels as well as a Mystara Gazetteer, has also kindly offered his time and talent to write additional material.
What Next?
With great talent comes great. . . never mind. Putting a product out on the market demands proper funding. As a result, a Kickstarter campaign is necessary to cover production costs. I am therefore asking all of you how excited you are about the World of Calidar. I posted a tentative outline for the campaign’s pledge levels below. From the surveys listed near the top of this page, select the pledge level and add-ons you feel comfortable backing. This is for information only. The first survey concerns pledge levels. The next one deals specifically with multiple-choice add-ons.
Edit Dec 06 2013: the survey is now closed. Thank you all for your participation. Results indicate enough backers for at least basic funding, provided everyone shows up. Onward!
The Kickstarter campaign is likely to last thirty days from early- or mid-December into January 2014. Your comments are welcome, either on this thread or to bruceheard@worldofcalidar.com privately. Be fair, be honest, and above all, be realistic. Because this is my first Kickstarter, this survey helps me get a better idea of how many of you feel strongly enough about this project to back it personally. Your responses will drive budgeting and whether the project will succeed at all.
Ideally, the ultimate target is a product the caliber of a D&D Gazetteer—I’m sure most of you know what I mean. If pledges go beyond basic funding, then additional text, maps, and art should be forthcoming. Multiple projects in a single year also become possible with stretch goals. Bear in mind that the World of Calidar is a series of products, not just one single release. That’s all up to you.
Pledges
| Name | Reward |
$5
| Airman | PDF of the Calidar Story + Access to the cliffhanger episode |
$10
| Bosun | As Airman + PDF of the World Supplement |
$25
| Master | As Bosun + Softbound booklet + Your name in the Honor Roll |
$35
| First Mate | As Master + Poster Map |
$50
| Captain | As First Mate with booklet upgraded to Hard Cover premium color format |
$250
| Admiral | As Captain + autograph + Name an Island + Cloth Map + Bookmark |
$75
| Innkeeper | Advertizing included in the e-product (PDF of the Story & World Supplement provided; Businesses only, two slots) |
$200
| Outfitter | Advertizing included in both printed and e-products (Softbound booklet provided; Businesses only, one slot) |
| Add-Ons (at First Mate Level and above) | ||
$75
| Add-on #1 | Your character name included as cameo appearance in the story (20 slots only) |
$75
| Add-on #2 | Name a skyship in the story or world supplement (20 slots only) |
$25
| Add-on #3 | Free download of Hexographer Pro presently valued at $31.95 |
$8
| Add-on #4 | Additional copy/copies of the Poster Map |
The Calidar Story: "In Stranger Skies" is the first part of the booklet—the story of how the Star Phoenix and her crew enter the Calidar universe.
Cliffhanger Episode: while the Kickstarter takes place, I’ll be posting short stories on this blog and elsewhere to promote the project. The last one of these episodes should appear directly on the Kickstarter backers' page.
World Supplement: this is the second part of the booklet, which describes the setting, much like a game supplement would, with historical facts, geography, realms, unique features of the universe, major characters, the main faiths, plot devices, monsters, etc.
Softbound/Hardbound Booklet: there will be two versions of the booklet—softbound and hard cover. Both are color, but the hardbound has much better paper and printing which is especially relevant to the quality of internal color maps. So far, the plan is to offer these booklets either via DriveTru RPG or CreateSpace (to be determined).
Honor Roll: the list of backers at Master level and above appears inside the booklet.
Poster Map: this 22"x28" single-sided color mapsheet will be printed on glossy paper, folded to fit within a 7"x11" padded envelope, and mailed separately by yours truly. After the Kickstarter campaign, the plan is to distribute these maps via Amazon.com.
Name an Island: you get to name your own island (name is subject to approval)
Your Character Name: one of the characters appearing in the story bears the name of your RPG character (name is subject to approval; a short description will be needed). There are no more than twenty slots for this add on, allocated on a first-come/first-served basis.
Name a Skyship: you get to name a skyship appearing either in the story or in the World Supplement (name is subject to approval). There are no more than twenty slots for this add on, allocated on a first-come/first-served basis.
Hexographer: you get a download of the mapping software’s pro-version which I have been using on this blog, presently valued at $31.95 from Inkwell Ideas.
Additional Poster Maps: at First Mate level and above, you can order additional poster maps at $8.00 each.
Business Advertizing: subject to approval. Innkeeper ads are half-page entries in the e-product and PDF document. Outfitter ad is a full-page entry on the printed booklet's last page.
Shipping for the US is intended to be included in the pledge levels listed above. Alas, a surcharge will be required for international backers. This is particularly relevant because so many of you live outside the US. I'm still working on shipping issues to find the most economical way to accomplish this.
Two thirds of the main story are presently written. It should be finished before the Kickstarter campaign launches. All of the concept work has already been developed in the form of a 60-page contributors' bible. This is to become the backbone of the finished product's world supplement. Most of the artwork will be commissioned after the Kickstarter campaign runs its course, provided at least basic funding is achieved. Cartography has been in progress for months and is already looking very good. The intent is to provide both digitally-enhanced maps (including 3D-views) for large-scale areas, and conventional hex-maps for closeups (single realms). Assuming all parts are completed in a timely fashion, the final product should be forthcoming in March-April 2014.
The original article on this subject was Bye-Bye Princess Ark, which explains my motivations for launching this project.
Please feel free to share this article with people you know may be interested. The more people participate to the surveys, the better the chances will be that the World of Calidar will succeed and thrive. Thanks!
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